https://www.lizhenhua.work/projects daily 1.0 2016-12-17 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481542609054-WBFM8VWRMXJR3IP8QDSY/4.pic_hd.jpg 2016 表面和深刻内涵，从事物的表面能否看进去，看得懂。是大多数人认为的关于如何观看艺术，或理解艺术的方式。作为一种过度阅读的后遗症，那些必须从表象中看到巨大意义的逻辑和想象力，是这个展览希望拒绝的。而观看本身的愉悦感和个体体验，是这个展览试图完成的任务。通过观看将人带入一个浅显的经验，一个简单的痕迹中。   “……艺术必须是美的，艺术家必须是美的……——阿布拉莫维奇 [1] ”   美在这个展览分为几个认知的阶段，有关于居室经验的美感，有关于日常生活中人和动物依存的美感，有在生活中发现奇迹的美感。这些都通过图像的表面和材质传达出来，观看者应该不需要去过多的探究这些图像背后的意义。   我假设这个展览的背后什么也没有，是否观者也就必须看得懂？   李振华 2015年12月29日   [1] http://www.reactfeminism.org/entry.php?l=lb&id=209&e=a https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481617451169-S0CO01PDGAQ69OSH1TNX/IMG_1891.JPG 2016 - untitled: flying object's sustainability 无题：飞行机械的连续运动 + photo & video installation 图片、录像装置 Unique 唯一版本   2016   这是一个关于重叠产生的关于静与动的作品，如同薛定谔的猫所讨论的，这是一个关于时间和认知的作品，关于记忆、历史中的墨西哥。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481617713340-KXLKWL8QG2R6F1HOMGUQ/Snip20160805_4.png 2016 - Video Poetry 影像诗歌 + 7'25" / 1080p / single channel / stereo sound / black & white 2016 - 作品来自2013 和206 年的两个影像片段，一个片段记录了一艘在冰上行走的客轮，于赫尔辛基小岛索玛琳娜。另一个来自陈星（sylvie xing chen）在格林瓦德山上雪中的表演，记录者为意大利摄影师Alessandro Schiattarella。两个片段都关于冰雪世界中运动的人和船。 音乐来自居于柏林的作曲家杨琳女士，低音单簧管演奏者为Heather Roche。诗歌《INK 墨剧》来自陈星（sylvie xing chen）。 这是一个单屏幕作品，类似阅读和观看的经验，观者可以闭目倾听，也可以通过看雪景中缓慢出现的人或移动的船，让自己有片刻的安静。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481619858252-SGV6BQ981155WB4C3BM6/WechatIMG4.jpeg 2016 - My True Heart 我的内心（2016） + Pick Head Axe, any architecture surface 消防斧、建筑物外立面   2016   希望传达一种爱意，一种完全自我内心的写照，通过身体的行动，直接构成一个暴力的场，一次行动。 *此项目由陈霄代为实施。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481578519348-1WBIW1IFNMV1RGRWF6WU/text_b%E6%9B%B2s.jpg 2016 - A man can be destroyed but not defeated 好汉是不能被打败的 + A set of 17 Platinum prints + 1 digital print 铂⾦⼿⼯图⽚⼗七张加⼀张数码打印   媒介尺幅 500mm X 400mm   all the art works produced in 2016 所有作品完成于⼆零⼀六年   Edition of 50 五⼗个版   Li Zhenhua 李振华 - A man can be destroyed but not defeated It was perhaps during my time in high school when I first started reading The Old Man and the Sea. The details of this story have faded from my memory; the image of the old man is constantly metamorphosing. I even forgot there was a young boy in the story and a scene of the old man battling with the shark; these tiny elements of my experience of the story were engulfed in the waves of memories. It was in 1989, or maybe in 1988, when I read it -- I cannot precisely recall. That piece of memory seems to have auto-deleted itself with only a tiny trace of it left, leaping in my mind, waiting a next foothold to appear in the back, near the horizon. Childhood memories, from passionate heroism to emotional ups-and-downs, reside deeply in each of us. When television was not popular, the book was the best teacher of man. Sometimes we project the stories that we read onto our parents and teachers, or onto those unknown. In our lives, books are like miniatures of humanity and society. Perhaps the experience of reading a book also comes from the perception and knowledge structure of the reader, thus, characters in a book are endowed with features of the reader’s local culture, and imagined images of other cultures. Alexandre Dumas, Ernest Hemingway, Tolstoy may all have big beards; the photographs in these books are black and white, therefore these people must be Caucasian, and must come from the United States or the Soviet Union – these were the parameters of our imagination of ‘the West’ back then. It only seemed to be right for a foreigner to come from the United States or the Soviet Union. The stories of these people blend with Chinese ‘Wuxia’ stories (Chinese chivalry novels) in my mind, and ferment a kind of chivalric spirit. Perhaps this is also where Wong Kar-Wai and Stephen Chow’s inspiration originates. Be it Alexandre Dumas in his sickbed, or the legends of the flying swordsman, emotions and things in the world reflected in them are where we draw tears from and lament. The impacts of real-life incidents and television news construct another world where countless ties link people who are distant from each other in real life, while familiar names and things become alienated. What happens around us happens as before, but our perceptions of the world parachute in from the other side of the Earth, in a completely different world. This is another world. I came from somewhere else, and I ought to go back. Mass media, information and travel engender both confusion and benefits, leading to an understanding of how we live in one world, and how cultures succeed to or connect with each other. Furthermore, how can we detach ourselves from historical conditions? Changes might already have been happening, naturally and unnoticeably. The story of “First Drift Yangtze River Adventures” and the anecdotes of Yu Chunshun are interlaced, weaving my personal memory of growing up, a net that I do not need to escape from. I want to write a story for each image in this exhibition; stories about individuals, with affections and without specific time or location. These stories are like history books: brief, full of nameless figures, blurred. If we investigate the stories of people in history, if we try to illustrate one’s profile from a conglomeration of his or her life stories, we will notice that this profile alters when illustrated in different historical periods, in order to resonate with the needs of time and the writing of history itself. In this enduring process, the profile behaves like a multi-dimensional shape driven by algorithms. Even today, I am not entirely clear about what Hemingway intended to say with The Old Man and the Sea. If he was to depict his own life, then would the images in the book be projected on the readers stealthily? Perhaps this is why reading perplexes us sometimes. I’ve always imagined myself becoming the characters in the book, and often ended up with a sense of anxiety about the feeling of seeing double. My adolescence is awash with these kinds of feelings: in class, during those sleepless nights, those literary tales of humanity accompanied me, they became my friends. All these stories are also my own story. Writing is a narrative process of transmitting one’s own knowledge to others. I’m the selfish one. I want to hoard these stories and bury them deeply within me. Believe it or not, this exhibition is the personal history of an anonymous person whose name will never appear in a book. He firmly believes that this will be his fate. He shall embrace the pounding waves in the sea of life, safari among the puzzling and the unpredictable, and eventually be wrecked by the sea. *original Chinese text from Li Zhenhua, translated by Iris Long, proofread by Barron Weyerhaeuser. 好汉是不能被打败的 我开始阅读《⽼⼈与海》的时候，⼤概是中学时期的事情，关于这个故事的叙事已经模糊异常，⽼⼈的形象也⼀直在变化，我甚⾄忘却了其中还有⼀个男孩，以及⽼⼈驱赶鲨鱼的场景，这些都被记忆不断的覆盖和淹没了。那⼀年是1989年，或1988年，我已经完全记不清了，⼀段记忆仿佛⾃我删除了⼀样，在脑海的深处跳跃着，等着下⼀个落脚点。 关于童年记忆的东西很多，热⾎和情感的困扰，是每个青年⼈都会经历的，在电视还不普及的时代，书就是最好的⽼师。从书上看到的故事，有时候会被投射到⽗亲、母亲、⽼师的⾝上，还有⼀些⽆名的⼈，在⽣命⾥，都是⼈性和社会的缩影，有时候想想这些⼤概都是构建个⼈的信息，书中的⼈物往往被赋予本地的特征，以及对他者⽂化的图像想象，如⼩仲马、海明威、托尔斯泰，⼤概都有⼤胡⼦，因为书⾥是⿊⽩照⽚，这些⼈也就都应该是⽩⼈，都来⾃美国、苏联，那个时期对西⽅的想象仅仅局限在美国和苏联，外国⼈必定是来⾃美国或苏联，也才是最正确的。这些⼈的故事和着中国的武侠故事⼀起，也就⾃然的让这些⼈的故事有着某种侠义情节，这些情节往往交互在⼀起，这可能就是王家卫、周星驰的来源。躺在病榻上的⼩仲马和⼩李飞⼑，感情和世事，也都催⼈泪下，令⼈唏嘘。 很多现实事件的冲击，电视新闻的信息，构成了另外⼀个世界，这个世界让⽇常⽣活和更远的⼈联系起来，以及⾃⼰熟悉的东西陌⽣起来。发⽣在⾝边的事情，也还是发⽣在⾝边，对世界的理解是另⼀端的地球上，或是另外⼀个世界。 这是另⼀个世界，我来⾃别处，也总要回去。这是传媒、信息、旅⾏带来的困扰和好处，理解我们是同处⼀个世界，再到理解⽂化上的接续关系。⽽如何从过去的情况真正的跳脱出来，⾃⼰也都没有意识到，这些变化就⾃然的发⽣着。如“长江第⼀漂”的那段历史，与余纯顺的历史交织在⼀起，构成了80年代永远⽆法释怀的记忆，新闻事件和⽇常⽣活重叠在⼀起，这段记忆也⾃然的成了我成长记忆的⼀部分，本也不必跳脱出去。 我想为每个图像写⼀个故事，充满感情，没有具体时间、地点的故事，是关于个⼈的故事。这些故事如同历史书⼀样，都⾮常简短，也都是没有名字的⼈，⾯⽬模糊。如果阅读历史中的⼈物，通过⼈物的⽣平塑造⼀个⼈的肖像，不同时期的⼈也⾃然的变化着，适应着历史的时间和需要——如同⼀个算法下的⽴体图形。 我到现在都⽆法确认海明威的故事到底在讲什么？如果他讲的是⾃⼰的⼈⽣，看书的⼈，⼈⽣是否被偷偷替换了，这是⽂本和阅读带来的困扰。我经常想⾃⼰成为书中的⼈物，⽽通常也只能⾃⼰为⾃⼰着急。这让我度过了⼀个⾮常的青年时期，那些深藏着情感的故事，在上课的时候，在每个不眠的夜晚，都经常成为我的伙伴。 所有这些故事也都是我的故事，写作是通过讲述的过程让⾃⼰的知识成为他⼈的，我是⾃私的，我想留下这些故事，并深深的埋藏起来。相信与否，这就是⼀个⽆名者的历史，他的名字永远不会出现在书中，他深信这就是⾃⼰的命运，通过理解世事⽆常，去迎接⽣命中的⽆数个巨浪，并最终被摧毁。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481628206068-4HLAY2RQHC9RHEHHR2Q9/114.pic_hd.jpg 2016 - Snowman 雪人（2016） + food sculpture 食品雕塑 Unique 唯一版本   "My intention was to get away from myself, though I knew perfectly well that I was using myself. Call it a little game between 'I' and 'me'" - Marcel Duchamp (Tomkins: Duchamp: A Biography, page 160) 杜尚：“我更关注于如何从自我中走出来，我深谙自我之道。所以我称之为‘我’（主格）和‘我’（宾格）的游戏。   - Accommodating the video Snowman (2015) in a specific setting, this work aims to respond to the changes of China‘s urban consumption environment and the resulting combination of culture, environment and recreation. Snowman is made of lard, which will be processed to produce dregs and oil during the preparation of the exhibition. This work highlights the subtle intervention of the space while recalling visitors‘ childhood by its tastes and images. Also, lard represents the human body while its dregs refer to individuals repressed by the real world. Food sculpture is an art form that transfers daily food into artistic works to highlight the brevity of food. References are Song Dong's long-term work Eating the City, Paul McCarthy's use of ketchup in his works, and artists' involvement in food processing, including Shimabuku and Rirkrit Tiravanija. 2016此作品为录像作品《雪人》（2015）之后的一个根据具体场地情况创作的作品，旨在回应中国城市化消费环境变迁，及其演化出的将文化、娱乐、休闲并置之状态。 《雪人》是一个由猪油堆砌的作品，油渣和猪油的炼制过程将在布展阶段完成，作品强调对空间的细微介入，并通过味觉和记忆唤起童年往事。另，猪油，动物油脂，与人的身体对应，油渣的状态，也对应着不断挤压现状下的个体。 食品雕塑，是一个希望转化日常食品到作品的方法，参照宋冬所做长期作品《吃城市》，以及保罗•麦卡锡作品中出现的番茄酱，还有島袋道浩（Shimabuku）、Rirkrit Tiravanija等人在食物、现场参与方面的工作，食品雕塑强调食品的易逝性。 *Collected by 33 三三德收藏 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481632461394-2G1EYP45TJWWRHLAV94C/8N2A0028.JPG 2016 - Banana Banana 香蕉 香蕉（2016） 致敬 Josephine Baker Beijing JNBY Concept Store 北京江南布衣概念店 Artist in Collaboration 合作艺术家 Aaajiao, Catherine Biocca, Cao Yu, Chen Xiao, Guo Mengyao, Lei Benben, Li Lulu, Li Zhenhua, Liao Wenfeng, Marc Lee, Shang Tun, Yuan Shun, Yves Netzhammer, Zhang Youdai 徐文恺、卡特琳•比约卡、曹雨、陈霄、郭梦垚、雷本本、李心路、李振华、廖文峰、马克•李、尚暾、袁顺、伊夫•内茨哈默、张有待 Special Thanks to: Li Lin, Wu Jiakai, Chen Xiao, Lu Zhengyuan, Deng Li, Li Xianxian 特别感谢：李琳、吴家凯、陈霄、卢征远、邓理、李纤纤 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481643872288-9TKJGMRU177BVBWNILE4/IMG_0442.jpg 2016 - Lost Horizon 消失的地平线 + 6 digital images 六张数字图片 Thousant Plateaus Art Space 千高原艺术空间 - 《消失的地平线》（英文：Lost Horizon）是一部英国小说，詹姆斯·希尔顿（James Hilton, 1900-1954）于1933年4月推出这部作品，并曾被法兰克·卡普拉翻拍成同名电影。被人们广为记住是香格里拉的起源，一个小说里的在西藏高山上的乌托邦。据说这本书影响了国家地理杂志，使得一个和书中有很多共同点的地方被认为是香格里拉，多年后有几个地方，如中甸县，被改名为香格里拉。 - 这是关于丢失和找寻的项目，从过去的某个时刻，某些知识的线索中去发现和理解。日常生活的奇迹也一样充满惊喜，对远方，那些传说的故事，我已经耗费了太多心力，希望这些简单、日常的东西，可以带个人最大感动，通过凝视空间细部，理解建筑、光、琐碎、爱和灰尘。也许是线索，也许是线条，也许是光影的空间，也许是经历时间的某个阶段。这个项目涉及到六个特别的空间，六种对时间的理解。 如果你需要，可以按照你需要的方式订制，让这些图像从一种关切中脱离出来，成为你希望的作品，从虚拟网络的数字世界之永恒，到材料之永恒。 - 我很希望这个项目是通过画笔完成的，是对摄影和真实空间的临摹，通过放大尺度，让空间侵占到另外的空间中，如同一个人像或风景置于另一空间的感受。美，美感，对世界的理解或感知，如果图像带给你的是笔触和空间的力量，是艺术家内省的表达和真切。你是否考虑将这个作品永远珍藏在最私人的场所，并经常凝视画面。你会发现艺术家的真诚和力量吗？你会爱上这个场景带给你的艺术感受，并伴随着不断的观看而升华。毕竟这个画面更接近抽象的表达，如同宇宙的声响、自然的清风，或人和人微妙的对视。   https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481966244282-Q9SF7621Z708ELZ20FE7/WechatIMG10.jpeg 2016 https://www.lizhenhua.work/2018 daily 0.75 2020-01-13 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1525962667121-5IAAOZUPQ2QYBMOXCN7H/image1-fixed.jpg 2018 - The Hand Catching Light 捕光之手 money / led light / acrylic I am interested in the myth of money and power, especially religious issue and stories behind it, like the light and darkness. I like to use light as a metaphor and money as a picture. 2018 A Li Zhenhua Work https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1543511723555-1E12C5X5H73E54ZKZH21/IMG_3976.JPG 2018 - Original Image 原始图片 这是给第三届花鸟集网上拍卖的一张照片，拍摄地为伦敦的巴比肯艺术中心，也是伦敦老城区的外景。 https://www.lizhenhua.work/2017 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481965728234-WPC4MGACYTRT2X98PVHY/WechatIMG3.jpeg 2017 - Un cadeau pour Dahn Vo / A Gift for Dahn Vo / 送给傅丹的礼物 + Sculpture d'objets quotidiens Sculpture made of everyday objects 日常用品的雕塑   Boîte en carton, encre d'or, colle d'or, sauce soja Cardboard boxes, golden ink, golden glue, soy sauce 纸箱、金色墨水、金色胶水、酱油     2016   我曾经在去年收藏了一件傅丹的作品，是他父亲抄写的一个传教士的信。他的工作是涉及到宗教、牺牲和个人成长历程的，作品使用大量的现成物，很多是多年的文物，涉及到宗教的，基督的形象总在其作品中若隐若现。   fr. J’ai collectionné une œuvre de Dahn Vo l’année dernière. C’est une lettre que son père avait copié de celle d’un missionnaire. Son travail concerne à la religion, le sacrifice et le voyage de croissance personnelle. Cette pièce utilise beaucoup d'objets ready-made dont représentent une grande partie des pièces archéologiques liées à la religion. l'image du Christ se profile toujours au-dedans.   en. I collected a piece by Dahn Vo last year, a handwritten letter from his father to a missionary. Dahn Vo’s work involves elements of religion, sacrifice and personal history. The piece uses many ready-mades, of which many are archaeological antiques related to religion. The image of Christ is always present.   我发现了一个纸盒子的秘密，一些不知道是什么的语言写在纸盒子的内部，我试着去阅读和理解，我想这是关于一个人复仇的故事，或一个爱情故事，因为笔记深刻。我收到这个箱子的时候是收到的快递，快递在我还没反应过来的时候就只剩下背影，消失在走廊中，他的帽子压得很低，遮住了脸。   fr. J’ai découvert le secret d’un boîte en carton dont à l'intérieur sont certaines phrases écrit par la langue que je ne comprend pas. J’essaie de lire et comprendre, et je pense que c’est une histoire sur la vengeance, ou sur l’amour, car l’ écriture est si ferme. Ce carton en boîte a été reçu comme un colis exprès, et le courrier m’a laissé juste une vue de dos quand je n’ai pas eu la chance d’y réagir. Il a été disparu dans le couloir avec le chapeau sur son visage.   en. I discovered the secret of one cardboard box, inside which are written some phrases in a language I do not understand. I tried to read and understand it, speculating that it is a story of revenge, or of love, judging from how deep into the board the writing went. When this box was delivered to my place, the courier disappeared before I realised, leaving me with just the image of his back fading away down the corridor. He had his hat pulled down over his face. 我居住的地方洗澡的时经常堵住，想来是下水不好，我在周围转悠买了一个处理下水的工具，是绿色的，有着长长的柄，价格也便宜。昨天洗澡，下水又堵住了，我用这个处理下水的工具用力吸，最终有一团头发被吸了出来。这些头发混合着各种杂物，还有一些黏液。   fr. L’ égout de chez moi est toujours bloqué après la douche. Je me promene autour pour acheter un outil débouchant l'égoût. Il est vert et très bon marché avec une longue poignée. Je me suis douché hier, et l’égout a été bloqué encore une fois. J’ai fait effort de tirer de l’eau avec cet outil, et, finalement, il y eu a une masse de cheveux étant aspiré avec tout type de bastringues et des mucosités.   en. The drain in my house is often blocked after a shower. I took a walk and bought a tool to unblock the drain. It is green, and very cheap, with a long handle . Yesterday, the sewer became clogged again when I was taking a shower. I used the tool and tried to draw up the blockage and, finally, there was a mass of hair sucked up with all kinds of stuff and mucus.   每个人都有留在这个世界上的各种东西、痕迹，从这些无用的东西中，会看到或看出哪个人？也许在某处留下的事物或痕迹，也许就是灰尘，也许什么也不是，也许根本就什么都没有留下。   fr. Tout le monde laisse dans ce monde une variété de choses, des traces. Quel personne peut-on voir ou connaître de ces choses inutiles ? Ces choses ou traces sont peut-être des poussières, ou peut-être rien, sinon rien ne laisse.   en. We all leave a variety of things in this world, traces. What person can we see or know through these things? These things, these traces are perhaps dust, or perhaps nothing. Perhaps we leave no trace at all.   送给傅丹的礼物，是一个无人认领的遗留物，一些涉及到我和他，和任何人之间的联系，也是存在脑中的一些思绪。   fr. Le cadeau pour Dahn Vo est un vestige que personne ne récupère. Il se rapporte à lui et moi, et à tout le monde, et aussi il est des pensées dans mon cerveau.   en. My gift to Dahn Vo is an unclaimed one, a remnant. It is a connection involving him and me, and anyone else, and also the trails of my thoughts.   法文译者：孙啟栋 Sun Qidong /Chinese-French 英文译者：龙星如 Iris Long /Chinese-English   + https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1496485313784-2XG37Z7WMGKNZJ1NOGNN/WechatIMG15.jpeg 2017 - Li Zhenhua's sound file 李振华 声音方案作品 a conceptual work by Li Zhenhua 2017 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1496483634709-TA1QNEC2PKTKY8ZCHURU/101496483392_.pic.jpg 2017 - Untitled 5 无题五张（2017） 万丈高楼平地起 李振华 (开幕现场讲话) 感谢策展人崔灿灿，艺术家王庆松。 希望这个展览能帮助观者理解图像的力量，理解时时更新的世界。 摄影作为新兴的媒介和艺术表现形式，自被发明以来已经超过百年。模拟视网膜的成像，最终超越视网膜，并为图像创造文化涵义，创造属于个人记忆和情感的依存。 从对真实的抓去，到理解传播。媒介即讯息，图像即讯息。而在互联网发现之后，一切又都被解构——图像不死。如此丰富的图像正在构建另一个平行世界，是真实的返现和延伸。 摄影作为记录、传播和单纯的艺术形式继续存在，无论媒介如何变化，AI是否战胜人类，对图像的生产和创造，依旧属于创作者，这也是为什么我们在这里相遇——不在图像中行动。对人和人的理解，对世界的观看和发现，依旧可以帮助人更好的相互交流——人性共通。 而经历时间的只有图像和抓取生命瞬间的人。     - *2017年4月28日，“万丈高楼平地起——第二届长江国际影像双年展”于重庆长江当代美术馆举办。本次展览由王庆松、Bisi Silva和崔灿灿担任策展人，共邀请了234位中外艺术家参与展览。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1499981979569-P8UBHCMEZFUSZIHLUFK8/WechatIMG40.jpeg 2017 - us food installation 2 eggs, honey, sugar, oil, soya sauce dimension variable 2017   theres a couple, one stand on the wall, another one fried and lay on the floor.   Honey, lets have some soya sauce. Sugar, lets just wait for the sunset.   Its just a morning, another morning, the sunlight is bright, hope no ants will come to us, its ticklish and dirty, hope mouses shall stay away, they shall take us apart, hope birds only sing for us, its a beautiful day. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1499982954753-ZIFXAI64CA4USRZXAT1Q/2017+spring_poster-01.jpg 2017 - Spring: Two Landscape Scenes, Three Portraits 春：两个风景，三个人物（2017） A Li Zhenhua Work 李振华 作品 2017 @Tong Gallery, Beijing   艺术作品有时候就是从记忆中抽取最美好的片段，但是你必须记得，有时候这个片段又借助于图像复活，并成为永不磨灭的生活瞬间，风景、日常生活、人和玩笑、天气、温度一样成为可以被感知的东西。   作品中的三个人，两个都是熟悉的朋友，一个因为她站着的姿态，被记录下来，两个中国朋友，一个墨西哥人，两男一女。风景是芬兰和威尼斯，类似于旅行的记录。   作品通过数字摄影的方式保留下来，通过宣纸打印和手工上色的方式，完成其物质转化。我希望这些低像素的图像能最大程度的被放大，如一个微不足道的个体感知被放大一样。   有两张是一束在玻璃杯中的花，因色彩测试方式的不同，形成了两种风格，一种有些艳丽，一种有些隐晦。   廖文峰虚坐的作品叫《一个虚无的知识分子》，如很多人所处的境遇，凝神细思恐极。小花叫《野生植物》，是文峰的爱人送给我的礼物，从柏林的街头得来，非常细小安静的美。   九口走召的肖像再次出现在我的作品中，这是我为他拍摄的，离开柏林之前的宣传照，当时希望拍摄一种夜间动物的感受，一种有着野性的凝视。   《春：两个风景，三个人物》再次从细微琐碎的日常中，找到闪光的瞬间，以及人能传递的肢体动作和形态。   感谢我的朋友李冰、郑云瀚对这个项目的帮助，感谢孙彤、海海一如既往的对我“做些艺术品”的支持。     李振华 2017年2月12日 苏黎世 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1499990039486-UFB7Y7GNAYRXU4C61CZG/2.jpg 2017 https://static1.squarespace.com/static/584dee50893fc01633e4e435/t/596f793a914e6ba1346aaf87/1500477754453/ 2017 - Untitled 无题（McaM明当代美术馆） + Performers: Li Zhenhua & Chen Xiao, Shang Tun 实施人：李振华、陈霄、尚暾 Opening of the exhibition: March 19th, 2017 开幕日期：2017年3月19日 MCAM 上海明当代美术馆 Post Sense & Sensibilities 后感性 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1500478035016-UEQCAD8WYZ50XD15P8RL/_DSC2354.jpg 2017 - Us 咱们 1 installation 装置 real size banana casted in gold 2017   *photo by 9mouth https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1506086585778-YDOCXMAD2G9TVF0W2OL0/IMG_0128.JPG 2017 - UNKNOWN BODY 未明之身 stop motion film 定格电影 3'10" / color / 1920 x 1080 / with sound 2017 *1st time presented in Milk for Snake, curated by Mariana Hahn, Der Raum, Meinekestraße 6, 10719 Berlin, Deutschland / UNKNOWN BODY 未明之身 Performance by Li Yuanyuan Direct / Camera / Editing by Li Zhenhua Music from Oleg Bondarenko's Ascension Thanks to: aaajiao, Mariana Hahn, Nicole Lappe A Li Zhenhua Film 2017 / 通常我喜欢在一个展出的空间工作，提供一个属于空间时间联系的作品，这个作品也是，感谢Mariana Hahn和Nicole Lappe的支持，我可以完成一个新作品，使用定格拍摄的方法。我喜欢为空间带来两个人物，一个是人类的影子，一个是无名者，两者在有些时候重叠，当他／她望向窗外的时候，是黄昏黎明的海，是从暗到明的光。这是送给这个空间的礼物，也是给居住者的礼物。     https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1506238111325-6SGBAMEHUWA5ITF5CFHU/list+of+works_%E9%A1%B5%E9%9D%A2_01.jpg 2017 - Summer 夏 今年春天的雨水很多,天总是阴沉的,有时阳光透过云彩，一晃又被雨打了回去。我喜欢春天的潮湿，草和花悄无声息的长着，人有些喜气，衣服也渐渐的薄了。五月后的某一天,空气会突然转暖，人烦躁不安，这时候夏天就来了。 你在看这些作品的时候,我已远行。 图片中人和物件,一些微妙的瞬间，一些经历了历史依旧保持幽默的姿态，图片是故事的钩沉，是事件。 我想象一个接待别人的地方,一个给客人的空间，然后从这个尺度和关系中,找寻合适的瞬间，图像并没有让我等太久,有些已经几年。 *特别感谢蕾蕾女士。 This year, it rains more than usual, the sky is always dismal and sullen. The sunlight penetrating through the clouds sometimes only lasts for a twinkling before the rain strikes it back. I am enchanted by the Spring, there is moisture in the air, the silent growth of plants, faint smiles and fashion becoming lighter. In a certain day of May, the weather suddenly turns warm, people abruptly feel restless, the summer is coming. When you are viewing at these works, I have already gone far. In these pictures the items, the people, the subtle moments, these humorous postures that undergo a long history, they all demonstrate to you that picture is the anchor story and each picture itself is an unusual event. There is an imaginary room for guests in my mind. Based upon the size and link of it, I tried to find suitable moments. It feels as if the pictures didn't take me too long to capture; however, I have been waiting for them for years. *Specially thanks to Leilei https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1507938071921-OVCB8AN1Q0JM4UKMAN0Q/monster.jpg 2017 - Monster 怪兽（2017） "14. 10. 2017 - 14. 01. 2018 / DISKURS, Berlin" pork fat, spring roll rice flake, bathing salt, pvc, fridge food sculpture, 2017 *photo by 9mouth my new works always dealing with the situation and space, it have to be in the exhibition space and produced there as well,…this new work follow the SNOWMAN series since 2015, made out of pork fat, I am interested in the purity of the material and the religious meaning given by mankind. I am interested in the delicacy of the material, it have to be in a certain temperature to hold a form, and the smell shall be everywhere. I am interested in making something beautiful out of the unseen process with your imagination. What you can see is what I can give, where the fantasy begins. *Thanks to Peter Wasmachteigen & Jung Me Chai, La Table Ronde https://www.lizhenhua.work/2015 daily 0.75 2018-11-29 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481618108916-31DH3GNRJK06UHJ9SA31/2015+%E5%8C%97%E6%96%B9_%E4%B9%A6_%E9%A1%B5%E9%9D%A2_003.jpg 2015 - North 北方 244张照片，不做任何处理，展出时将打印机置于空间的顶部，整体打印，纸如雪飘。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1481505296718-4LDDNQBUX4P721GZTNLD/Snip20161101_3.png 2015 - 2015 SNOWMAN Single channel video / color / sound / HD / 2'20" / 2015 "My intention was to get away from myself, though I knew perfectly well that I was using myself. Call it a little game between 'I' and 'me'" - Marcel Duchamp (Tomkins: Duchamp: A Biography, page 160) 雪人 单屏幕录像／有色／有声／高清／2'20"／2015 杜尚：“我更关注于如何从自我中走出来，我深谙自我之道。所以我称之为‘我’（主格）和‘我’（宾格）的游戏。 https://www.lizhenhua.work/2019 daily 0.75 2020-02-19 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1546077792552-KB7F5A7ZI3TNX041DI2S/1490257165477703.jpg 2019 - Afforestation 植树 “现代社会取消了近代社会里象征权力的酷刑，实施了更加人道和隐蔽的规训 权力。这种微观权力无处不在，深入到日常生活的每一根毛细血管。”「规训与惩罚」（Discipline and Punish: The Birth of the Prison），福科（Paul-Michel Foucault 1926-1984），1975年首次印刷出版为法语，1977年被翻译成英文并出版。 我一直对工具感兴趣，拆解集成物，或拼装物件。另外就是对劳动感兴趣，工具和劳动分不开。而工具的样式，则可以被看作文化的一部分，并存在于历史事件中。 我通过淘宝购买的实物，来回应其物理重量和图像中的分量。一个历史事件是否已经淹没在时间中，而观者看到的，还应该有我童年记忆的形状、颜色，以及报纸和电视中出现的人物，那时的颜色不多，以红色、绿色和黑白为主。 *1983年 十三陵植树劳动 左起：胡耀邦、万里、邓小平 Modern societies have abolished public punishment, once a symbol for power, from the medieval period. Instead, it implements more humane and discrete disciplinary measures. These subtle embodiments of power are ubiquitous and have penetrated into every detail of our daily lives. Discipline and Punish: The Birth of the Prison, by Paul-Michel Foucault (1926-1984), was first printed in 1975 in French, and its English translation was published in 1977. I've always been interested in tools, dismembering them and reassemble them again, or into other kinds of object. In addition, I am also interested in labor. Tools are inseparable to labor. The shapes and forms of the tools can be considered as part of the culture that exists in historical events. I use objects that I have purchased on Taobao.com to respond to their physical and pictorial weight. Can a historical event be drowned through time? What the viewer perceives should nevertheless embody the shapes, colors and the figures that once appeared on newspapers and televisions in my childhood memories, as few colors as there once were, they were mostly red, green, and monochrome. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1564738839424-F48Q561JIALC0SG1TUC6/IMG_5200.jpeg 2019 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1564340762874-TSI1TUJUNL5PA8BMACCO/IMG_6772.jpeg 2019 - Unknown Body installation version 未明之身 装置版（2019） 65’ Flat TV eggs in plastic box white clock L shape wood structure (200cm x 150cm x 90cm) with 4 rollers (20cm diameter) *Commissioned by the Aram Art Gallery, Goyang, Seoul, Korea. participate in Show Me Your Selfie group exhibition, curated by Jung Me Chai, supported by Eun jung Kim and Jiye https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1572968693809-N7I3BS6G9GNBA6GGI4Q8/%E6%9D%8E%E6%8C%AF%E5%8D%8E%E7%AD%BE%E5%90%8D%E7%89%88%E8%AF%97.jpg 2019 - 二零一九五月七日 May 7th, 2019 我希望艺术是日常的，是一种自觉出现的训练，「一个人在荒岛」成为我的日常，一种临时写作和分享的方法。诗歌在这里可能是诗意的，可能是暗喻，也可能只是词语的游戏，一些有韵律的音符。 *参与策展人张翀策划的展览《盲点》，用可食用颜料打印在可使用华夫纸上，作品包括诗歌、签名，在开幕的时候被吃掉。类似「香水」中的场景，随着这个过程和消失的瞬间，作品又回到了属于我的境地。 只有一张留下来，作为这一事件的见证。 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1572970565857-6KM2UV8XPLKUWBQAF1KS/IMG_8594.jpeg 2019 - Show me your selfie it’s an exhibition curated by Jung Me Chai in Aram Museum, Korea and Diskurs Berlin, Germany. I intend to explore a moment, a projection that came from inside. Show me your selfie is about to discover the moment that penetrating in time, do the matches remind you of the little girl from The Little Match Girl (Hans Christian Andersen 1805-1875), or the cave in ancient times when people first encounter fire. What a fire means for now? A violent proposition, a dangerous act, or pretending to be. the final result comes from hundreds of matchsticks, on the matching paper, from the same direction, what I wrote and drew before finally vanish and covered with an action. same as how I placing the matches back into the box without covers, they are different, but all the same, with fire or without fire. I found many frames in Berlin flea market, I do not know which one would speak to me, some from Italy, some from the Turkish community, some from local Germans, I prepared them in my kitchen to make sure I can see them every day…then the metal one became the one you saw on the wall, it’s an emotional choice or a precise choice of mind? https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578933103560-VOD0Z64K0Z4C6TPPN9NO/IMG_0024.JPG 2019 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1551216323155-7SX6YGDAPG4CAMCSIKHP/one_lizhenhua+s.jpg 2019 - Flower 花 摄影、诗歌 1/1 *深圳“拍春”委托，收藏者：徐文 https://www.lizhenhua.work/2020 daily 0.75 2021-01-18 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593378068270-HIMXF1TH6CQS0GOYDV0T/IMG_0904.jpeg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1596138590363-ZZNWVGBVZ1UB6R95N6TN/IMG_3644.JPG 2020 - Echo of you 你的回响 5’24’ / BW / Stereo Sound 2020 A relic, a site, a place between the sky and earth, human traces and a flag, being and trying to stay that would vanish in time. This is video poetry, a moment from 2011 when I visit Athens. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780680796-OJIJ2A6O7QWMT4LFWJOU/12%2Cw%3D1280%2Cc%3D0.bild.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780680792-BRMVX82XPKYC86JKWAV4/27c8aecf0a4b3e469c8fc599971c4dcf.jpeg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780681414-5VU0958JANFGSZ9VGPXT/586bc1a1ee14b63e338b4809.jpeg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780701967-O6AV7I3H8DZPXGBTVAHZ/Assange-9222771fc9033fca.jpeg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780686440-RNAYFMGDVJQTEG7HAYIE/GettyImages-133202127.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780693725-L68RWMHJTXLKO8FH4D99/Julian_Assange_August_2014.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780696525-SWJ3JIJ4QM2D86GKY1WX/Julian-Assange-military-documents-WikiLeaks-Australian-press-July-26-2010.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578780699766-J3MY0LHVD0QW0KL5UDTO/RTX79KJK.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1578842295488-WD92X8O8HP0SVBWAHZ0G/ap_london_assange_21Oct19.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593334382146-MYCQINP1HCOX0VAA2HJF/IMG_0368.jpeg 2020 February 14th, 2020 生而为人，我很抱歉。——太宰治 Wang Jiangnan, aaajiao, He Xiangyu, Ang Du Weissenbrunner, Li Zhenhua initiated a protest at Brandenburger Tor * https://telegra.ph/berlin-calling-02-09 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593336156614-Y4ETN5BDQVT8Q7VMJ2FZ/IMG_9662.jpeg 2020 - Micro Era talk, Berlin, December 19th, 2019 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593336363120-C4OXPNKQTU6OLAFZNOK9/IMG_9666.jpeg 2020 - December 20th, 2019 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593335801545-PYY7J5B2UBAUKJA0Z28F/IMG_9683.jpeg 2020 - Looking for Wong Kar-wai, Berlin, December 31st, 2019 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593337816836-ZXS3F8Q1WTYVKHK6ZP59/1200px-John_Baldessari_%282009%29.jpg 2020 - John Baldessari, January 2nd, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593336596692-MN7NP8A4X9P8DE58N8PZ/IMG_9955.jpeg 2020 - Peter Regli, Zurich, January 9th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593336811569-2TM22E0WWXMPKT5QUDRC/IMG_0042.jpeg 2020 - Marc Lee, Zurich, January 15th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593337292911-V5SAJ4K3Y19DBLWQV9QJ/IMG_0088.jpeg 2020 - Alexander Joly, January 19th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593337410080-UUIAYBJZUTF5BU4TRZHE/4AD93F10-77B8-4E97-9D34-1095211A7866.jpeg 2020 - January 19th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593335484833-GN55IGIDRIHX3WW50SU5/IMG_0150.jpeg 2020 - Sent, Switzerland, January 21st, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593335620517-XJG4KVYA3X8N3QRJ15TW/IMG_0172.jpeg 2020 - my reflection on 2019, Art Asia Pacific https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593337534348-XBPY9LIWIADX8C7P37JQ/IMG_0202.jpeg 2020 - January 24th, 2020 The night before Chinese New Year, the date according to lunar calendar https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593337674698-KYENPHAWB2P3ZJ98KMRT/IMG_0212.jpeg 2020 - January 26th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593338137262-W4QD7EFIVALI8LQX5LLB/IMG_0220.jpeg 2020 - Super Position at DISKURS, Berlin, January 27th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593334778724-D0UL33EJ316VD0YLQWCK/IMG_0225.jpeg 2020 - Chen Haishu, Berlin, January 31st, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593338299364-NNCZNY5S0OE8DSD5VLQG/IMG_0248.jpeg 2020 - Lawrence Abu Hamdan at Hamburger Bahnhof February 2nd, I called Xu Tan directly, we talked about his key words project and the presentation. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593335193636-8XKY1IO9Y5LNPVECII13/IMG_0244.jpeg 2020 - Simon Fujiwara 'Likeness' at Hamburger Bahnhof, Berlin, February 2nd, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593338578225-K30YDTBAIG0UC0RUC00B/IMG_0295.jpeg 2020 - Timm Ulrichs at Akademie der Kunste, Berlin, February 5th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593334910167-OSEVZHYNWVI6QBZ1C1X2/IMG_0300.jpeg 2020 - Liu Guangyun, Mainz, February 7th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593339064083-G2DW3FXWAAA7S779O05Q/IMG_0348.jpeg 2020 - February 12th, 2020 my first furniture made out of the premade box and two aluminum bars. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593339065261-I1O10TUNAXQWE83AN132/IMG_0352.jpeg 2020 - February 12th, 2020 visit Diskurs Berlin, talk about the show on North Korea with Jung Me Chai. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593339071636-ZL9657EO1CMRX45AWH8H/IMG_0355.jpeg 2020 - Siegfried Zielinski We had dinner together, during the lockdown in China, and people’s fear spread worldwide. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593375831685-JH5Q6X3O1BHYUPO5I6H4/IMG_0462.jpeg 2020 - with Mili Pecherer and Max February 24th, 2020 It Wasn’t the Right Mountain, Mohammad The short film from Mili, shown at the Berlin Film Festival. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593375838258-HM07U0KBVD6CSS6JOADS/IMG_0465.jpeg 2020 - Wapikoni During the Berlin film festival. the best project ever from Canada. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593376157444-SWMEJ4S7DXJ2MQ55FJ3Y/IMG_0513.jpeg 2020 - visit Daniel Knorr's studio February 28th, 2020 I have met Daniel in Shenzhen, China in November 2019, thanks to Teng Fei, we have met again in Berlin. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593557253911-MCKPZ6XDRARXNBFVVBDR/IMG_0216.jpeg 2020 - March 7th, 2020 I wrote a short text on Zeng Zhe’s work, a series of delicate watercolor on paper. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593376567199-FT97UYSTFZWVFF2SH67J/IMG_0662.jpeg 2020 - visit Gregor Hildebrandt March 11th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593376760491-K5YVRU66YEHGCHPE2NCD/IMG_0715.jpeg 2020 - Han Feng March 16th, 2020 Chinese artist based in Berlin. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593376990874-DO25W67U7Q7QE2S78S7R/Enlight165.jpeg 2020 Daniel Knorr & Li Zhenhua, March 24th, 2020 Berlin https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593377252235-BDLAZ6E6LETWO5E99AKE/IMG_0819.jpeg 2020 March 26th, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593377856883-3VGOEPGAG2S2N8I6BH1Z/IMG_0894.jpeg 2020 April 2nd, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593378068270-HIMXF1TH6CQS0GOYDV0T/IMG_0904.jpeg 2020 April 2nd, 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593379437974-4AJ5BCEC9IEI00NHXSJX/IMG_1206.jpeg 2020 April 17th, 2020 Daniel Knorr casted the Berlin Wall site near the main station and the government buildings. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593379744978-SDBUWPAVC194PE1O9CGX/IMG_1307.jpeg 2020 April 25th, 2020 I walk with Dieter Detzner in Grunewald, Berlin. Then we have developed a Saturday walk every week after. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593380041804-PQ41AASIJLZO8NQ39NK4/IMG_0406.png 2020 May 24th, 2020 A live streaming conversation with Yue Luping and Lu Yiying via BAIDU.com documentation of the live streaming >>> https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593380517551-2C6FOHMEV2Y9XWNLERUS/IMG_1612.jpeg 2020 May 24th, 2020 Walk with Siegfried Zielinski. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593380639234-2804Z8PQOTBQDHOGMG7J/IMG_1627.jpeg 2020 May 26th, 2020 Visit the Deutsches Historisches Museum https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593381201330-YVY7EKLY2NPRNYH2NWP3/IMG_1746.jpeg 2020 May 31st, 2020 Christo https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593381436032-7ZULOQ58VXK7YC79WZP7/IMG_0463.jpeg 2020 June 17th, 2020 Art Basel opens online https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593420824290-SAIM3EEHFD8649T2CDJ7/IMG_1965.png 2020 Mum, Ghost and Hermits June 17th, 2020 online During the COVID-19 pandemic moment, what would be your beloved, what would be the meaning to stay with friends, family or being alone. Since when have you had a qualified time for yourself, apart from work and social media or Netflix. Since when have you had to live with someone together every day? {more} https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1593422858803-PVU7PAY6F50A2TTRDBTM/WechatIMG398.jpeg 2020 June 23rd, 2020 Teng Fei posted the image of Daniel Knorr with the new publication which contains my article inside. {more} https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602754849928-3QJIZ5HTN9OZFRXPNIY6/roman2014.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602757391053-OMZXNCUTACWWJZRTSSLQ/photo%3A+%C2%A9+Ryoji+Ikeda+courtesy+of+Shanghai+21st+Century+Minsheng+Museum 2020 http://www.ryojiikeda.com/project/theradar/#the_radar_shanghai https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602756369677-AFA7J1RLLY0M0CAMQLRN/DSCF7697.JPG 2020 - 可持续幻想 王郁洋 「再造登月」2007、郑云瀚「鸡西计划」2007 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602756646404-7TERQPB2BU8UF8NCHPUK/DSCF7758.JPG 2020 - 可持续幻想 汪建伟「生活在别处」1999、曹恺「南京长江大桥」2006 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602756712898-90423R74JCMIB3MK5JVR/DSCF7749.JPG 2020 - 可持续幻想 邱志杰「西方」1996、杨福东「后房——嘿！天亮了」2000 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1602756950799-QEIW9169X42PSS0RJRF2/DSCF7733.JPG 2020 - 可持续幻想 王郁洋 「再造登月」2007、郑云瀚「鸡西计划」2007 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1603722290070-YET7J5TM9KBG1T9Y9E0X/image-asset.jpeg 2020 The Physical Impossibility of Death in the Mind of Someone Living by Damien Hirst (1991) https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1609114835970-4ZN52OUDSDIQA2OFIU9A/%E8%8A%B1%E9%B8%9F%E9%9B%8620201219_%E9%A2%84%E8%A7%88_%E9%A1%B5%E9%9D%A2_19.jpg 2020 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1609151820722-C7GUR0ZBJ1ZJC5C5TP0P/M.jpeg 2020 https://www.lizhenhua.work/2021 daily 0.75 2021-12-10 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1635928864500-FMCHJYXLJ776MNYLJZID/%2301+TOR.png 2021 - TOR NFT 我发现文字结构中有趣的序列关系，以及可能重组的多种可能性。密码学线索的小动机，以及存储于网络的基于区块链系统的NFT。 I find interesting sequential relationships in textual structures, and multiple possibilities for possible recombination. A small motif for cryptographic clues and the NFT of a blockchain-based system stored on the web. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1639174187085-TUOKPIKS2H838O0E2IDP/IMG_8781.jpeg 2021 - 悄然一缕光 A Quiet Light 悄然一缕光 李振华 
 灯箱 
 尺寸（cm）: H29.7 x W39.6 x D10 
 材料: 亚克力 灯箱片 太阳能电子灯 
 创作年份: 2021 
 版本数: 1 
 A Quiet Light by Li Zhenhua Light box H29.7 x W39.6 x D10cm Acrylic box, Lightbox film, Solar Electronic candle 2021 Unique
 光，是我一直感兴趣的主题，来自太阳，来自电能转化，来自人的内心，或是能被感知的。光可能从任何地方来。《悄然一缕光》A Quiet Light试图找到光从画中来的意境，拍摄的现代发光物，来自电能、太阳，或是你的内心深处？我试着找一份平静而温暖的感受，是图像，也是希望。 Light, a subject that has always interested me, comes from the sun, from the transformation of electrical energy, from the human heart, or can be perceived. Light can come from anywhere. A Quiet Light attempts to find the mood of light coming from the painting, photographing a modern luminous object, from electricity, from the sun, or from deep inside the heart of you? I try to find a calm and warm feeling, an image, and hope. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1617832234911-T164A6ANLQNBNUBTH5SI/F30B6668-9CE2-48CC-B842-FF95F61307E6.jpg 2021 https://www.lizhenhua.work/2022 daily 0.75 2022-11-12 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1660955340390-S3DQRT0NN4UDE93EDPOH/IMG_2958.JPG 2022 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1660298586208-U06QP9E2P4WON4L4KSL7/wacd.png 2022 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1660298593133-1W6J8IL73TYFZP6PJNL1/zz.png 2022 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1660298596281-9YWHXRU0XMMF4XERSBVJ/mm.png 2022 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1660554457724-S7TPZVNB5S2WA9SR8OSZ/2022-08-12+14.30.20%E5%89%AF%E6%9C%AC.png 2022 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https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1659733302848-ANII0OSQEPVJOXJISNZ9/IMG_3009.jpeg 2022 - NEW BOOK LAUNCH a conversation with Zeng Zhe X Li Zhenhua https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/51e27096-1b6c-475e-a2b7-b9bfac99b2eb/EB196DE1-0459-4B32-BFE6-92FD1508C1DC_1_105_c.jpeg 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/7e38b0f1-c108-4936-9bbc-e4e428fbb934/%E6%88%AA%E5%B1%8F2022-08-08+13.16.29.png 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/8927aa64-e95e-4148-894f-e2ad5dcccfd9/61C11073-2EAC-4E22-B491-1C2143164645.jpeg 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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https://www.lizhenhua.work/2024 daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/85f84a9d-d39f-44e3-a624-627cbecdf791/%E3%80%8A%E5%8F%88%E6%98%AF%E6%95%85%E4%BA%BA%E6%9D%A5%E3%80%8B%E6%B5%B7%E6%8A%A5%E9%A2%84%E8%A7%88%E7%89%88.jpg 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1762231260034-Q8Y81T3RCNB0BZD569DN/DSC00864.jpeg 2024 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1762231304473-76EBU11GCSFFSXHIU8FV/DSC01071.jpeg 2024 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1762231350986-7Z3L22Z7QM0LCNWM0X7K/DSC01213.jpeg 2024 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1762231394355-6NEFF3WB9XGUUQWPZ4K7/DSC01350.jpeg 2024 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/1762231439973-PROILO22FB67VYNRA1D6/DSC01384.jpeg 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2024 https://www.lizhenhua.work/2025 daily 0.75 2026-01-19 https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/bb7d5407-7274-4d7e-be61-1d655b0ab23d/%E6%88%AA%E5%B1%8F2025-11-03+09.11.15.png 2025 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/584dee50893fc01633e4e435/c7e1784b-c53e-43bf-9bc7-4dab4fceb418/78468D8C-3BE7-4170-956D-566CB6DAE265_1_105_c.jpeg 2025 - Make it stand out Sparkling glint of Noor Riyadh 2025 in Venice Fondazione Querini Stampalia 19 Oct – 23 Nov 2025 Noor Riyadh and the Fondazione Querini Stampalia present a capsule exhibition during the Venice Architecture Biennale, offering an international preview of the upcoming Noor Riyadh Festival 2025, the world’s largest light art festival. The exhibition is curated under the theme “In the Blink of an Eye” and reflects the pace of change in Riyadh as well as the growing role of cultural development in the city’s transformation. The capsule exhibition is curated by Li Zhenhua and Sara Almutlaq, with the support of this year’s festival Curatorial Advisory Lead, Mami Kataoka. The exhibition is installed in the spaces designed by Carlo Scarpa at the Fondazione Querini Stampalia. Scarpa’s architectural intervention, which accommodates Venice’s periodic flooding, provides a distinct context for the presentation. 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